Jan. 15th, 2009

  • 3:27 PM
Hope

 
i carry your heart with me
 
 
 i carry your heart with me(i carry it in
my heart)i am never without it(anywhere
i go you go,my dear; and whatever is done
by only me is your doing,my darling)
i fear
no fate(for you are my fate,my sweet)i want
no world(for beautiful you are my world,my true)
and it's you are whatever a moon has always meant
and whatever a sun will always sing is you

here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life;which grows
higher than the soul can hope or mind can hide)
and this is the wonder that's keeping the stars apart

i carry your heart(i carry it in my heart)

ee cummings
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absolutely fantastic

  • Oct. 3rd, 2007 at 10:17 AM
stormchaser

When I was little, my grandmother played opera. A lot. Constantly.
This clip is priceless. The look on Simon's face...


 
Thank you Mr. Potts. That was beautiful; gave me chills in all the right moments.
 (he goes on to win and play for Her Majesty the Queen)

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Eurydice by HD for OmDog

  • Jul. 6th, 2006 at 3:28 PM
Sacred Fire

This poem )



published in 1916, depicts Eurydice's thoughts after Orpheus' ill-fated attempt to bring her back from the dead. Hades, king of the underworld, gave permission to Orpheus to bring Eurydice back to the surface of the earth on one condition — Orpheus was not to look back at Eurydice as he ascended. However, as Orpheus neared the end of the ascent, he looked behind him to make sure Eurydice was still with him. At that moment, she was snatched back to the underworld. The poem is said to reflect on H.D.'s failing marriage.
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Instructions, by Neil Gaiman

  • May. 22nd, 2006 at 12:30 PM
Journey

  
Only an excerpt because it's fitting. I'm 99% certain this is going on the first page of my travel journal. I should find that... 



Remember your name.

Do not lose hope — what you seek will be found.

Trust ghosts. Trust those that you have helped

to help you in their turn.

Trust dreams.

Trust your heart, and trust your story.

When you come back, return the way you came.

Favors will be returned, debts will be repaid.

Do not forget your manners.

Do not look back.

Ride the wise eagle (you shall not fall).

Ride the silver fish (you will not drown).

Ride the grey wolf (hold tightly to his fur).

-Neil Gaiman

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#27

  • Feb. 17th, 2006 at 10:08 AM
stormchaser
"summer is over
— it's no use demanding
that lending be giving;
it's no good pretending
befriending means loving"
(sighs mind:and he's clever)
"for all,yes for all
sweet things are until"

"spring follows winter
as clover knows,maybe"
(heart makes the suggestion)
"or even a daisy—
your thorniest question
my roses will answer"
"but dying's meanwhile" (mind murmurs;the fool)

"truth would prove truthless
and life a mere pastime
— each joy a deceiver,
and sorrow a system—
if now than forever
could never(by breathless
one breathing)be" soul
"more" cries;with a smile


- e.e. cummings
Poem 27, Xaipe
Liveright, NY, 1979, p. 27

(you know when you've been remembering something for almost a decade, but couldn't find it and then you stumble into it and it's possibly the best thing to happen in a week, or a month or even a decade? that's this poem and this morning) 

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Jeanette Winterson

  • Jul. 28th, 2005 at 12:38 PM
stormchaser
First, I seriously might kiss Sarah the next time i see her just for introducing me to Winterson's work. I can't seem to read her fast enough, I finished THE PASSION rather quickly and have since bought two copies to give away and am planning on at least two more, though one shall remain on my shelves this time through. I picked up ORANGES... the other night and am forcing myself to wait to read it until I'm done with THE DARK TOWER because goddammit King, you're going to rip my bloody heart out. But after that I think i'm going to just go on a Winterson love fest... I've been reading the excepts from LIGHTHOUSE KEEPING... and it's just so moving.

From WRITTEN ON THE BODY (1992):

"Love demands expression. It will not stay still, stay silent, be good, be modest, be seen and not heard, no. It will break out in tongues of praise, the high note that smashes the glass and spills the liquid."


...I'd almost follow that up with an Amen.

Eithne
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August words.

  • Mar. 25th, 2005 at 1:57 PM
Tied

This is not mine, but it is beautiful and painful and I feel the residual truth echo within.  Link to the original author follows.

It’s gray and rainy and I stumble down to the basement to find what is currently serving as my rainshell for the first time in months. Weird August weather so far. I’m shivering and wishing I’d worn socks, and the rain falls down and the cars go by and I hunch over in my chair and look out the windows over the trees to the red brick of the university.

It’s August, and the days keep unspooling and I do everything I’m supposed to be doing. I get up every morning and go to work and eat either a bagel or yogurt for breakfast, sometimes both. I do some work and I get on the bus and come home and I keep in touch with people I love and I write in my journal and I read books and listen to music and watch movies and I do my laundry, ride my bike and I talk to my housemates and make dinner and do the dishes and pet the cat. I wash my hair and brush my teeth. I get between seven and eight hours of sleep a night, curled up underneath a patchwork quilt made several generations ago by one of my Midwest relatives. Currently I am thinking of getting a new set of fancy sheets; every night when I turn out the light I think about these sheets for a minute, and think about the ones I’m lying on, which I’ve had for so long they are starting to get holes in them. I consider thread counts and floral patterns and maybe some fluffy new pillows and I wonder why the days have sixty hours in them lately, and I go to sleep and wake up and go about my business.

My business is keeping on, is holding on. My business is assessing the facts of the situation, replaying the options, accruing theories and considering possibilities. My business is to lay it all out and shuffle it all around and stand back and squint and try to make it into a whole and to switch it all around again after that. My business is to wander around the house and nod my head and make little jokes and to keep a handle on things, mostly. My business is to realize that the heavy lifting is all over now, right, the decision-making and the words said in anger and the subterfuge and the resentment and the accusations, not to mention the practical stuff like finding a new place and putting old stuff in it and trying to find some room to fit in. August is a pause between what’s happened thus far and whatever is on its way, and my business is to live there in that pause and catch my breath.

August, and it’s unreasonable to think about the future too much. August, and I check my email obsessively. August, and I will buy new sheets. August, and I put new pictures on the wall and the letters into a box in the back of the closet, wondering if there is another box somewhere where I can put all the love and the hope and expectation, the rage and grief and loneliness, the just plain sadness.

There is a void, I say. There’s a void where he was and I have nothing to fill it with yet and that is very strange. Give it time, various people say. Give it time and soon we will be having dinner together and you’ll say that you can’t imagine being where you were six months ago, a year ago, two years ago. Maybe you’re right, I say, but why can’t I just fall asleep and wake up then? Why don’t I get a pass on this? Why did I do this, why did I lose this, what could I have done? There are no answers, various people tell me, gently and with compassion. And I’m not even sure those are the right questions to be asking. But what are the right questions? I say. No one knows, no one can tell me. Give it time, they say.

I've imagined this void as residing in the pit of my stomach, dense as a black hole. It’s fraying at the edges now. Instead of filling in and plumping out and leaving me with scar tissue it diffuses throughout my body, infiltrating me with empty space. I’m getting gauzier and more indistinct, blurry. It must be hard to look at me straight this August because I fade in and out like a thunderstorm, full of this emptiness that has no fixed geography.

August.

 

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